Book News

The Ruin of Evangeline Jones

Yay! I’m pleased to announce that The Ruin of Evangeline Jones is scheduled for release on April 27th 2020. To those of you who have already read The Madness of Miss Grey and have asked me if Alex is getting his own story: This is it!

I don’t have a cover or back cover copy yet, but here’s the blurb I wrote when I was submitting it:

Alex Stanton just inherited a dukedom but his true passion is uncovering charlatans and frauds wherever he finds them. Spiritualist and medium Evangeline “Evie” Jones is the biggest fake of all and he’s determined to expose her lies for all of London to see. Her prim manner and ladylike airs don’t fool him. He sees the hunger beneath and recognizes a worthy opponent. He also can’t deny the dark undercurrents of lust between them.

Evie worked her way up from the gutter and she’s not about to abandon the life she’s built for fear of this aristocratic dilettante. She knows his type. She sees the attraction simmering beneath his animosity, and she knows how to use it to keep him off balance. They strike a bargain. He has one week to prove she’s a fake. If he fails, he has to abandon all further attempts. If he succeeds, she’ll not only retire but make a public statement explaining all her tricks.

Neither expects to find anything in common, not to mention anything to love, in the other. Both are blindsided by the affinity and blossoming tenderness between them. But even if it were possible for a lowly charlatan to live happily ever after with a duke, more is going on than either suspects. Someone else has brought them together for a sinister purpose of his own.

I can’t wait to share Alex and Evie’s story with you!

Not About Writing

Top 10 Film Costumes

Recently, I posted some images of some costumes from Crimson Peak to Facebook. My followers seemed to like them and, well, I certainly liked them, and you know I’m always looking for an excuse to share costume porn here, so I decided to do my own Top 10 costumes from film.

Here are the rules:

  1. Only one costume per film allowed.
  2. I had to be able to find good quality images of the costume (which ruled out The Artist and Wings of the Dove).
  3. It had to be from a film I enjoyed and would recommend (which sadly ruled out Marie Antoinette, Batman Returns, and the Duchess. It nearly ruled out Titanic but I decided to be lenient).

Here we go then:

10. The Marquise de Merteuil’s Travelling dress, Dangerous Liaisons (1988), costume designer: James Acheson. Genres: Psychological drama; literary adaptation.

This gown has stuck with me over the years despite not actually being on screen that long. It’s a triumphant moment for Glenn Close’s Merteuil as her plans begin falling into place, a powerful gown for a character at the height of her own power.

Honestly, though, all the costumes in this film are amazing and gorgeous. All of them.

9. Claire Fraser’s wedding dress in Outlander (season 1), costume designer: Terry Dresbach. Genre: Time travel; romance; epic; literary adaptation.

Another 18th century style dress. Not only is the gown stunning (my god, the embroidery!) but it symbolizes so much to the characters; Jamie’s hopes for their marriage, the seriousness of Claire’s situation (Jamie’s all in, so it’s going to be hard to go through with deserting him), as well as fulfilling the wishes and dreams of everyone who read the book and had waited years to see this moment on screen. It’s a lot for a dress to measure up to, yet this one does.

8. Romeo and Juliet (1998), costume designer: Kym Barrett. Genres: Shakespeare adaptation.

Almost every teenage girl in the ’90s seemed to be obsessed with this film, myself included. I was already a literature geek, so of course I was going to love this. Even though I suspect this dress owes a lot to Claire Danes’s ethereal beauty, it has a magic that still works on me more than twenty years later. (20 years? Seriously? The ’90s was just the other day!)

7. Satine’s trapeze costume, Moulin Rouge, costume designer: Catherine Martin. Genres: Musical.

Another Baz Luhrman film. There are several gowns I could have chosen but it’s this one that sticks with me. This is the first glimpse we get of Nicole Kidman’s Satine and she manages to do Diamonds are a Girls’s Best Friend with enough style and attitude that I don’t immediately wish I were watching Marilyn Monroe instead (which is a huge achievement in and of itself). It’s just an amazing, versatile, fun and glitzy costume.

6. Rose’s boarding gown, Titanic, costume designer: Deborah Lynn Scott. Genres: Drama.

Say what you like about Titanic (this film is a guilty pleasure for me), the costumes were amazing. I almost chose the red dress she wears when she tries to throw herself overboard. I’ve got to be honest, my choice here is 75% about the hat. That being said, the boarding outfit, inspired largely by a contemporary source gown (see slideshow), is so crisp and smart. It’s an outfit for the woman Rose is trying so hard to become.

5. Edith’s black bow dress, Crimson Peak, costume designer: Kate Hawley. Genres: Gothic horror.

This is the gown that inspired this post. I fully intend to watch Crimson Peak again soon just for the costumes, which are all amazing. I love how everything Edith wears in New York, all beautiful, up to date (for the 1890s) gowns, contrasts with Jessica Chastain’s dresses which, while equally beautiful, all look 10-20 years behind the fashion. Edith dresses like a strong, confident New Woman, but the bow somehow renders her vulnerable. Like a hand might reach out from the dark, take hold of all that fabric, and never let go.

4. Sarah’s ballgown, Labyrinth. Costume designer: Ellis Flyte. Genres: Family film; Musical.

What is that dress made of? It has a definite cellophane-ish quality, yet I love it. Perhaps it’s because I saw this film when I was small. Perhaps it’s because I still love that song they dance to. Perhaps it’s the peak 80s-ness of it all. I don’t even know.

3. Danielle’s ballgown, Ever After, costume designer: Jenny Beavan. Genres: Fairy-tale retelling.

This was a perfect moment. So much so that I’m afraid to re-watch this film as a proper adult in case it doesn’t stand up. The dress, though, will always hold up.

2. Ellen Olenska’s red gown, The Age of Innocence. Costume designer: Gabriella Pescucci. Genres: Pychological drama; literary adaptation.

This is a case of the perfect dress for the scene. Madame Olenska (Michelle Pfeiffer) is different from every other character. As wonderful as she is, she doesn’t fit in, and this dress underscores that fact beautifully. Unbeknownst to her, she’s moving around in hostile territory where it might be smarter to pass unnoticed. Of course the fact that she floats around in her crimson gown completely oblivious to this hostility, is why we love her.

1.Anna’s ballgown, The King and I, costume designer: Irene Sharaff. Genres: Musical, literary adaptation.

This dress is largely responsible for beginning my Victorian obsession. It is directly responsible for little Julia insisting her first ever bridesmaid dress have a hoop skirt. It also led to compulsive use of the silver crayon when it was coloring-in time at my primary school. Despite the film’s problems, I still get chills when Anna dances with the king. I love the way the dress looks like liquid as she moves.

There you go; my top 10. I hope you’ll let me know your favorite costumes from film in the comments here, or on Facebook or Instagram.